It's not too lengthy (50 min), but it's not much fun either. I've been working on a mix CD for a while and this is how it turned out. This week I'm planning to make some more cupcakes (S'mores?) but in the meantime I wanted to give this a shot. If my friends' reactions were any indication, these were definitely the best Isa creation yet. The only bad part was the dumbness of the word 's'more'. They were so easy to make, so much tastier than actual s'mores, and warm (mmmmm). The S'mores cupcakes were probably my favorite so far. The zombies weren't scary at all - they just looked like normal people walking funny. Night of the Living Dead was okay but it was in black and white (boring!) and the special effects were really crappy.
I can't believe those two guys threw a party inside the biodome! I liked when their girlfriends made them feel bad for trashing the biodome and they cleaned it up because they eventually cared about environmental stuff but they still knew how to party. On my birthday I had three things on my mind: Being luckier than I deserve, a couple of awesome people I know came through with all of them - we drank some scotch, made S'mores cupcakes, and watched Bio-Dome (and Night of the Living Dead (first time!)).
Album: Cupid & Psyche 85 - 2016 - Scritti Politti.
Alternative rock music - download from RedMP3. Album: Cupid & Psyche 85, Artist: Scritti Politti. Podcast 80s - REVIEW - Scritti Politti - Cupid & Psyche 85.
Scritti Politti: Cupid and Psyche 85 Running Commentary Album Reviews. Is Scritti's string of singles from their Cupid and Psyche 85 album. It’s neither a straightforward singles comp nor a thorough collection of highlights, but it’s somewhere in between and makes for a representative introduction. Format Program Tahunan Pelaksanaan Bimbingan Konseling Di Sekolah. After that, it gets a bit random, with post-punk era highlight “Skank Bloc Bologna,” three highlights from 1982’s, the 1991 non-album single “She’s a Woman” (a cover, featuring ), and two new burbling electro-pop numbers. Focuses on the Virgin albums - 1985’s (a masterpiece), 1988’s, and 1999’s - and frontloads the material from them, which takes up over two-thirds of the disc. Vanished for a decade, reappeared in the late ‘90s with a tentative misfire, and then, after a seven-year absence, came back again with an understated, vaguely singer/songwriter-y gem. Within a couple years of surfacing, and his shifting array of associates switched from scrawny and inscrutable post-punk to pristine and R&B-laced sophisti-pop. There is no easy and clean way to anthologize.